Sunday, October 24, 2010

~View of the Plain

View of the Plain

Above the Plain, there's a special space, Emersonian
The argument is rather a lame duck, brutal nevertheless
I'd rather give more room to having fun writing my poetry
But the truth is far more nebulous, causing little in interest
What is real for Emerson regarding words, asks the question
Even while we may voluntarily investigate these paradigms
what he makes specific is the involuntary part of perception
forming a common parlance to a hidden entrance of the soul.

It's very hard to see, especially since any clarity is less than nice
the resulting 'event' seeks to exit life's flow with extreme predjudice
rather unconsciously, due to past reactions of trauma, add as a fact
that there's plethora of variation to what all that is non-voluntary
including a special complex case of active will, the one exception
The importance of this kind of socially based knowing is provocation
Agitating a reader in a just way which calls something important
in the reader, into question, not to invalidate but compel a living answer.

Just playing around with poetry, exploring Emerson's genius is arousing
I can post this View of the Plain as a introductory poem for the time being
Though it doesn't impress me with approaching Emerson's level of tension.
The thing for Emerson seems to be the quality of provocation made for us.
Gonna try and spark a little progressive segue in smooth transitions in here
for now....

© 102010 rjduberg

note: First in a series of poems that will span my current reading of Lysaker's book about Emerson and the notion of Self-Culture

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